It's no secret that Neil Gaiman is one of my favourite authors, a person whose books I come back to over and over again each year. So when I decided I was going to start the Author Libraries series— well, there wasn't any question about where I was going to start.
In each Author Libraries post, I'm sharing 10 favourite or recommended books by a particular author, so you can get to know a little bit about what they love, and which writers inspire their own practise.
Neil Gaiman is always recommending reads, but I've done my best here to narrow it to ten of his most recommended, or those which have had the most influence on his writing and career.
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“It was in the same school library that had the two volumes of Lord of the Rings that I discovered Chesterton... I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.”
The Central Anarchist Council is a secret society sworn to destroy the world. The council is governed by seven men, who hide their identities behind the names of the days of the week. Yet one of their number — Thursday — is not the revolutionary he claims to be, but a Scotland Yard detective named Gabriel Syme, sworn to infiltrate the organisation and bring the architects of chaos to justice. But when he discovers another undercover policeman on the Council, Syme begins to question his role in their operations. And as a desperate chase across Europe begins, his confusion grows, as well as his confidence in his ability to outwit his enemies, unravelling the mysteries of human behaviour and belief in a thrilling contest of wits. But he has still to face the greatest terror that the Council has: a man named Sunday, whose true nature is worse than Syme could ever have imagined.
Dianna Wynne Jones
“Diana's been my friend since about 1985, but I was a fan of hers since I read Charmed Life in about 1978, aged 17. I've loved being her friend, and I'm pretty sure she loved being my friend. She was the funniest, wisest, fiercest, sharpest person I've known, a witchy and wonderful woman, intensely practical, filled with opinions, who wrote the best books about magic, who wrote the finest and most perceptive letters, who hated the telephone but would still talk to me on it if I called, albeit, always, nervously, as if she expected the phone she was holding to explode.”
Cat doesn't mind living in the shadow of his sister, Gwendolen, the most promising young witch ever seen on Coven Street. But trouble starts brewing the moment the two orphans are summoned to live in Chrestomanci Castle. Frustrated that the witches of the castle refuse to acknowledge her talents, Gwendolen conjures up a scheme that could throw whole worlds out of whack.
“I took my daughters on holiday to the Cayman Islands, and while they romped and swam in the surf, I was hundreds of years and thousands of miles away, in Regency York and in London and on the continent, experiencing nothing but the purest pleasure, wandering through the words and the things they brought with them, and eventually noticing that the paths and lanes of the story, with its footnotes and its fine phrases, had become a huge road, and it was taking me with it: 782 pages, and I enjoyed every page, and when the book was done I could happily have read 782 more. I loved the things she said and the things she did not say. I loved crabbed Norrell and, less feckless than he seems, Strange, and John Uskglass the Raven King, who is not in the title of the book unless he hides behind the ampersand, but who hovers there anyhow.”
At the dawn of the nineteenth century, two very different magicians emerge to change England's history. In the year 1806, with the Napoleonic Wars raging on land and sea, most people believe magic to be long dead in England--until the reclusive Mr. Norrell reveals his powers, and becomes a celebrity overnight.
Yet the cautious, fussy Norrell is challenged by the emergence of another magician, the brilliant novice Jonathan Strange. Young, handsome, and daring, Strange is the very opposite of Norrell. He becomes Norrell's student, and they join forces in the war against France. But Strange is increasingly drawn to the wildest, most perilous forms of magic, straining his partnership with Norrell, and putting at risk everything else he holds dear.
“I went home to Sussex and saved my meagre pocket money until I was able to buy a copy of The Lion, The Witch and the Wardrobe of my own. I read it, and The Voyage of the Dawn Treader, the other book I could find, over and over, and when my seventh birthday arrived I had dropped enough hints that my birthday present was a boxed set of the complete Narnia books. And I remember what I did on my seventh birthday — I lay on my bed and I read the books all through, from the first to the last. For the next four or five years I continued to read them. I would read other books, of course, but in my heart I knew that I read them only because there wasn’t an infinite number of Narnia books to read.”
Narnia . . .
The land beyond the wardrobe, sung into life by the Great Lion Aslan, where animals talk, witches walk, magic abounds, and adventure surely awaits.
The Chronicles of Narnia will take you on a journey of destiny and discovery to places you never dreamed existed. From the lamppost to Cair Paravel, from the Easter Islands to the Ends of the World, Narnia brims with mystery, excitement, and danger.
Roger Lancelyn Green
“I remember finding a copy, as a small boy, of a paperback Tales of the Norsemen and delighting in it as a treasure, reading it until the binding broke and the pages flew apart like leaves. I remember the sheer rightness of those stories. They felt right. They felt, to my seven-year-old mind, familiar.”
Norse myths and legends introduced by bestselling author Michelle Paver, creator of the Chronicles of Ancient Darkness collection and Gods and Warriors, her epic new Greek Bronze Age series for Puffin. The great Norse sagas are full of magic and heroic deeds. Odin’s wanderings, Thor’s hammer, the death of Bakkur, the vision of Ragnarok – tales which have been told since time immemorial – are given a fresh life in this version, written as one continuous exciting adventure story.
“I encountered Ray Bradbury's stories as a boy. Some authors I read and loved as a boy disappointed me as I aged. Bradbury never did. His horror stories remained as chilling, his dark fantasies as darkly fantastic, his science fiction (he never cared about the science, only about the people, which was why the stories worked so well) as much of an exploration of the sense of wonder, as they had when I was a child.”
*Neil loves so much of Ray Bradbury I could't pick just one. So here's a whole collection, with something for everyone.
One hundred of Ray Bradbury’s remarkable stories which have, together with his classic novels, earned him an immense international audience and his place among the most imaginative and enduring writers of our time.
Here are the Martian stories, tales that vividly animate the red planet, with its brittle cities and double-mooned sky. Here are the stories that speak of a special nostalgia for Green Town, Illinois, the perfect setting for a seemingly cloudless childhood—except for the unknown terror lurking in the ravine. Here are the Irish stories and the Mexican stories, linked across their separate geographies by Bradbury’s astonishing inventiveness. Here, too, are thrilling, terrifying stories—including “The Veldt” and “The Fog Horn”—perfect for reading under the covers.
“...Mayhew's wonderful "London Labour and the London Poor" (one of my favourite books in the whole world. Like a non-fiction Dickens novel that goes on forever in all directions.)”
London Labour and the London Poor is an extraordinary work of investigative journalism, a work of literature, and a groundbreaking work of sociology. It originated in a series of articles for a London newspaper and grew into a massive record of the daily life of Victorian London's underclass. Mayhew conducted hundreds of interviews with the city's street traders, entertainers, thieves and beggars which revealed that the 'two nations' of rich and poor were much closer than many people thought. By turns alarming, touching, and funny, the pages of London Labour and the London Poor exposed a previously hidden world to view. The first-hand accounts of costermongers and street-sellers, of sewer-scavenger and chimney-sweep, are intimate and detailed and provide an unprecedented insight into their day-to-day struggle for survival. Combined with Mayhew's obsessive data gathering, these stories have an immediacy that owes much to his sympathetic understanding and highly effective literary style. In its imaginative power the work can justly be regarded as the greatest Victorian novel never written.
“Kipling's politics are not mine. Kipling was many things that I am not, and I like that in my authors. I learned from Kipling. At least two stories of mine (and a children's book I am currently writing) would not exist had he not written. Kipling wrote about people, and his people feel very real. His tales of the fantastic are chilling, or illuminating or remarkable or sad, because his people breathe and dream. They were alive before the story started, and many of them live on once the last line has been read.”
Adored by readers of all ages, these classic stories in two volumes spin the unforgettable story of Mowgli—a boy raised by a pack of wolves—as he learns indelible lessons about the laws of the jungle as well as the needs of the heart. Through Mowgli’s journey, readers also meet the tiger Shere Khan, who stalks man and beast alike, the rock python Kaa, who dispenses wisdom, and the aging wolf Akela, who struggles as his leadership of the pack is challenged. Set in India, Kipling’s great masterpiece is an allegory for Britain’s imperialism, filled with high adventure and extraordinary characters. The mythic tale of a boy looking for where he truly belongs— either with the man-pack of the village or the wolf-pack of the wild— The Jungle Books touch both our intellect and our emotions, while Kipling’s dazzling storytelling makes them the timeless archetype for popular tales to come.
Samuel R. Delany
“I learned that my favourite SF author was black, and understood now who the various characters were based upon, and, from the extracts from the author's notebooks, I learned that fiction was mutable. I discovered that the idea of a book and the book itself were two different things. I also enjoyed and appreciated how much the author doesn't tell you: it's in the place that readers bring themselves to the book that the magic occurs... And I found myself grateful, once again, for the brilliance of Delany, and the narrative urge that drove him to write.”
Bellona is a city at the dead center of the United States. Something has happened there…. The population has fled. Madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. And into this disaster zone comes a young man–poet, lover, and adventurer–known only as the Kid. Tackling questions of race, gender, and sexuality, Dhalgren is a literary marvel and groundbreaking work of American magical realism.
“And Adams, according to Gaiman, was a genius. “I haven’t known many geniuses in my life. Some brilliantly smart people, but only a tiny handful would I class as geniuses. I would class Douglas, because he saw things differently, and he was capable of communicating the way he saw things, and once he explained things the way he saw them, it was almost impossible to see them the way you used to see them.””
Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor. Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker's Guide and a galaxy-full of fellow travelers.
Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don't forget to bring a towel!